{"id":169,"date":"2014-03-09T09:35:40","date_gmt":"2014-03-09T15:35:40","guid":{"rendered":"https:\/\/www.new21stcenturyreview.com\/Blog\/?p=169"},"modified":"2014-03-09T09:54:08","modified_gmt":"2014-03-09T15:54:08","slug":"audio-two-versions-of-gal-costa","status":"publish","type":"post","link":"https:\/\/www.new21stcenturyreview.com\/?p=169","title":{"rendered":"Audio: Two Versions of &#8220;Gal Costa&#8221;"},"content":{"rendered":"<p style=\"text-align: left;\"><a href=\"https:\/\/www.new21stcenturyreview.com\/Blog\/wp-content\/uploads\/2014\/02\/Bradhead-2013-Tall-1040127.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-32 alignleft\" alt=\"Bradhead 2013 Tall-1040127\" src=\"https:\/\/www.new21stcenturyreview.com\/Blog\/wp-content\/uploads\/2014\/02\/Bradhead-2013-Tall-1040127.jpg\" width=\"72\" height=\"82\" \/><\/a>In 2007 I composed an instrumental piece entitled &#8220;Gal Costa,&#8221; inspired by and dedicated to the Brazilian vocalist of the same name.<\/p>\n<figure id=\"attachment_173\" aria-describedby=\"caption-attachment-173\" style=\"width: 79px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.new21stcenturyreview.com\/Blog\/wp-content\/uploads\/2014\/03\/GalCostaYounger.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-173 \" alt=\"GalCostaYounger\" src=\"https:\/\/www.new21stcenturyreview.com\/Blog\/wp-content\/uploads\/2014\/03\/GalCostaYounger-161x300.jpg\" width=\"79\" height=\"148\" srcset=\"https:\/\/www.new21stcenturyreview.com\/Blog\/wp-content\/uploads\/2014\/03\/GalCostaYounger-161x300.jpg 161w, https:\/\/www.new21stcenturyreview.com\/Blog\/wp-content\/uploads\/2014\/03\/GalCostaYounger.jpg 224w\" sizes=\"(max-width: 79px) 100vw, 79px\" \/><\/a><figcaption id=\"caption-attachment-173\" class=\"wp-caption-text\">Gal Costa the Younger<\/figcaption><\/figure>\n<p style=\"text-align: left;\">For those of you unfamiliar, Costa is a established Pop Icon in Brazil, a country\u00a0 known not only for it&#8217;s hypnotic, rhythmic music but for the\u00a0 fine musical intelligence and imagination of its performers.\u00a0 As a distant fan I&#8217;ve been particularly entranced with her performances, from the wild abandon of the 1970s to the stately artistry of her later work. Or maybe I just like beautiful women. Or both.<\/p>\n<figure id=\"attachment_172\" aria-describedby=\"caption-attachment-172\" style=\"width: 71px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.new21stcenturyreview.com\/Blog\/wp-content\/uploads\/2014\/03\/Gal-Costa-Blue-Note.jpeg\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-172 \" title=\"Gal Costa Recent\" alt=\"Costa, Gal\" src=\"https:\/\/www.new21stcenturyreview.com\/Blog\/wp-content\/uploads\/2014\/03\/Gal-Costa-Blue-Note-200x300.jpeg\" width=\"71\" height=\"108\" \/><\/a><figcaption id=\"caption-attachment-172\" class=\"wp-caption-text\">Gal Costa, recent<\/figcaption><\/figure>\n<p style=\"text-align: left;\">At any rate, &#8220;Gal Costa&#8221; was first recorded on the 2010 CD &#8220;<a title=\"cd baby\" href=\"http:\/\/www.cdbaby.com\/cd\/bradleywilliams\">Sojourn<\/a>,&#8221; which featured my piano trio with a fine string quartet. When I recently decided to restart our horn-based 21st Century Review group this little samba in three had to be included in the repertoire as well, so I whipped up a new version featuring the saxophones of Brent Griffin and Anthony Bruno along with bassist Dan Kristan and drummer Keith Brooks.<\/p>\n<p style=\"text-align: left;\">Just for fun &#8211; here are the two versions, the first from &#8220;Sojourn&#8221; and the second from a preliminary recording for our upcoming CD with the New 21st Century Review (special sneak preview). Enjoy!<\/p>\n<p style=\"text-align: left;\">&#8221; Gal Costa&#8221; from 2011 &#8220;<a title=\"cd baby\" href=\"http:\/\/www.cdbaby.com\/cd\/bradleywilliams\">Sojourn<\/a>&#8221; recording piano trio + string quartet:<\/p>\n<p style=\"text-align: left;\"><div id=\"mp3jWrap_0\" class=\"mjp-s-wrapper s-graphic unsel-mjp  verdana-mjp\" style=\"font-size:14px;\"><span id=\"playpause_wrap_mp3j_0\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_0\" style=\"font-size:14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_0\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_0\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_0\" style=\"font-size:14px;\">1. Gal Costa from Sojourn<\/span><span class=\"indi_mp3j\" style=\"font-size:9.8px;\" id=\"statusMI_0\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_0\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_0 = [\n\t{ name: \"1. Gal Costa from Sojourn\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly93d3cubmV3MjFzdGNlbnR1cnlyZXZpZXcuY29tL0Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTQvMDMvR2FsLUNvc3RhLWZyb20tU29qb3Vybi5tcDM=\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[0] = { list: MP3jPLAYLISTS.inline_0, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script><\/p>\n<p style=\"text-align: left;\">&#8221; Gal Costa&#8221; from unreleased 2014 recording: Bradley Williams&#8217; New 21st Century Review (sneak preview):<\/p>\n<p style=\"text-align: left;\"><div id=\"mp3jWrap_1\" class=\"mjp-s-wrapper s-graphic unsel-mjp  verdana-mjp\" style=\"font-size:14px;\"><span id=\"playpause_wrap_mp3j_1\" class=\"wrap_inline_mp3j\" style=\"font-weight:700;\"><span class=\"gfxbutton_mp3j play-mjp\" id=\"playpause_mp3j_1\" style=\"font-size:14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span>&nbsp;<span class=\"group_wrap\"><span class=\"bars_mp3j\"><span class=\"loadB_mp3j\" id=\"load_mp3j_1\"><\/span><span class=\"posbarB_mp3j\" id=\"posbar_mp3j_1\"><\/span><\/span><span class=\"T_mp3j\" id=\"T_mp3j_1\" style=\"font-size:14px;\">2. Gal Costa from New 21st Century Review<\/span><span class=\"indi_mp3j\" style=\"font-size:9.8px;\" id=\"statusMI_1\"><\/span><\/span><\/span><\/div><span class=\"s-nosolution\" id=\"mp3j_nosolution_1\" style=\"display:none;\"><\/span><script>\nMP3jPLAYLISTS.inline_1 = [\n\t{ name: \"2. Gal Costa from New 21st Century Review\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly93d3cubmV3MjFzdGNlbnR1cnlyZXZpZXcuY29tL0Jsb2cvd3AtY29udGVudC91cGxvYWRzLzIwMTQvMDMvR2FsLUNvc3RhLWZyb20tTmV3LTIxc3QtQ2VudHVyeS1SZXZpZXcubXAz\", counterpart:\"\", artist: \"\", image: \"\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[1] = { list: MP3jPLAYLISTS.inline_1, tr:0, type:'single', lstate:'', loop:false, play_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pause_txt:'&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;', pp_title:'', autoplay:false, download:false, vol:100, height:'' };<\/script><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2007 I composed an instrumental piece entitled &#8220;Gal Costa,&#8221; inspired by and dedicated to the Brazilian vocalist of the same name. For those of you unfamiliar, Costa is a established Pop Icon in Brazil, a country\u00a0 known not only for it&#8217;s hypnotic, rhythmic music but for the\u00a0 fine musical intelligence and imagination of its &hellip; <a href=\"https:\/\/www.new21stcenturyreview.com\/?p=169\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Audio: Two Versions of &#8220;Gal Costa&#8221;<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=\/wp\/v2\/posts\/169"}],"collection":[{"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=169"}],"version-history":[{"count":10,"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=\/wp\/v2\/posts\/169\/revisions"}],"predecessor-version":[{"id":189,"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=\/wp\/v2\/posts\/169\/revisions\/189"}],"wp:attachment":[{"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.new21stcenturyreview.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}